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In my opinion, films were almost reborn through his poster art.Films experienced a quasi-second birth through his poster art.Films such as Une femme est une femme or Luis Bunuel’s The Exterminating Angel I remember even today by the visual concepts of Hillmann’s designs.
Hillmann was able to create visual symbols which merged completely with the experience of the movie.
Indeed the entire film was there in this picture, but I was worried because I thought its bleakness might scare the audience away.
Hillmann’s designs were uncompromising, radical and inspired – as were the movies in those days, alas gone by. Particularly the film posters he made for the very important distributor Atlas Film, as well as those for Walter Kirchner’s distributor Neue Filmkunst.
In a French village, Manou is an Italian logger, virile, with a broad laugh.
He can't say no to women's sexual invitations, and jealous villagers blame him for recent fires and a flood. See full summary » As a surprise, two horse owners decide to ride their animals themselves in a steeplechase.